If anyone has any info, hit me up! Maybe it's due to the fact that the man's been too busy with other people's books. You know, turning them into kick-ass movies. As you'll totally recall, Cronenberg is no stranger to the world of theater, having previously adapted The Crying Game precursor M. Butterfly for the silver screen. But back to the books. He's currently finishing up an adaptation of Don Delillo's Cosmopolis , which is slated for Not the most unfilmable of novels, but definitely a challenge, considering more than half the action takes place inside a limousine.
Also a challenge- getting a good performance out of Robert "Sparkly Pants" Pattison, who plays a rich douche driving across Manhattan to get a haircut although, come to think of it, that doesn't really sound like much of a stretch. Table tells the story of a love triangle between two scientists and a laboratory created black hole named Lack.
It's been described as Alice In Wonderland with quantum physics. As if coaxing a palatable performance out of Kiera Knightley and Robert Pattison wasn't challenge enough, Cronenberg will now be giving acting notes to a miniature gravitational singularity. Think he can pull it off? To know your future is to know your past, and the man's got a storied past. Let's check his credentials, shall we? In addition to the adaptations that have actually made it to the big screen, Cronenberg has worked on a number of projects that either never made it past the script stage, or were taken over by someone of lesser talent.
I present a few of the more interesting:. Based on the above track record, I'd say it's pretty obvious that Cronenberg knows a thing or twelve about literary adaptations. Wouldn't you agree? I say give the man books, give him money, and turn his imagination loose. Are there any other literary properties you think Cronenberg should tackle? Geek Love?
Throat Sprockets? The Bible? Sound off like you got a pair.
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I also know that Peter Cushing or Christopher Lee will probably show up. A couple of reasons. Which leads me to my next reason, the authors. Gwendolyn Kiste, Matthew M.
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Bartlett, Gemma Files, and Christa Carmen are just a few of the names that contributed. The third reason is that the concept intrigued me. It can be tricky to write something based on a series of movies. The Creature tells Walton that Victor's death has not brought him peace; rather, his crimes have left him completely alone. The Creature vows to kill himself so that no others will ever know of his existence. Walton watches as the Creature drifts away on an ice raft that is soon "lost in darkness and distance", never to be seen again.
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During the rainy summer of , the " Year Without a Summer ", the world was locked in a long cold volcanic winter caused by the eruption of Mount Tambora in The weather was consistently too cold and dreary that summer to enjoy the outdoor holiday activities they had planned, so the group retired indoors until dawn. Sitting around a log fire at Byron's villa, the company amused themselves by reading German ghost stories translated into French from the book Fantasmagoriana ,  then Byron proposed that they "each write a ghost story".
I was asked each morning, and each morning I was forced to reply with a mortifying negative. I saw the pale student of unhallowed arts kneeling beside the thing he had put together. I saw the hideous phantasm of a man stretched out, and then, on the working of some powerful engine, show signs of life, and stir with an uneasy, half vital motion.
Frightful must it be; for supremely frightful would be the effect of any human endeavour to mock the stupendous mechanism of the Creator of the world. In September , astronomer Donald Olson, after a visit to the Lake Geneva villa the previous year and inspecting data about the motion of the moon and stars, concluded that her "waking dream" took place "between 2 a. She began writing what she assumed would be a short story. With Percy Shelley's encouragement, she expanded the tale into a full-fledged novel.
Shelley's first child died in infancy, and when she began composing Frankenstein in , she was likely nursing her second child, who would also be dead at Frankenstein 's publication.
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Byron managed to write just a fragment based on the vampire legends he heard while travelling the Balkans , and from this John Polidori created The Vampyre , the progenitor of the romantic vampire literary genre. Thus two seminal horror tales originated from the conclave. The group talked about Enlightenment and Counter-Enlightenment ideas as well.
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Shelley believed the Enlightenment idea that society could progress and grow if political leaders used their powers responsibly; however, she also believed the Romantic ideal that misused power could destroy society Bennett 36— Mary Shelley's manuscripts for the first three-volume edition in written — , as well as the fair copy for her publisher, are now housed in the Bodleian Library in Oxford.
The Bodleian acquired the papers in , and they belong now to the Abinger Collection. Robinson, that contains comparisons of Mary Shelley's original text with Percy Shelley's additions and interventions alongside. It was published in an edition of just copies in three volumes, the standard " triple-decker " format for 19th-century first editions.
The second edition of Frankenstein was published on 11 August in two volumes by G. Whittaker following the success of the stage play Presumption; or, the Fate of Frankenstein by Richard Brinsley Peake. It included a lengthy new preface by the author, presenting a somewhat embellished version of the genesis of the story. This edition is the one most widely published and read now, although a few editions follow the text.
Robinson examined the original manuscript by Mary Shelley and noted the edits that Percy Bysshe Shelley made to it. Part of Frankenstein's rejection of his creation is the fact that he does not give it a name, which causes a lack of identity. Instead it is referred to by words such as "wretch", "monster", "creature", "demon", "devil", "fiend", and "it". When Frankenstein converses with the creature in Chapter 10, he addresses it as "vile insect", "abhorred monster", "fiend", "wretched devil", and "abhorred devil".
During a telling of Frankenstein, Shelley referred to the creature as " Adam ".
Although the creature would be described in later works as a composite of whole body parts grafted together from cadavers and reanimated by the use of electricity, this description is not consistent with Shelley's work; both the use of electricity and the cobbled-together image of Frankenstein's monster were more the result of James Whale 's popular film adaptation of the story , and other early motion-picture works based upon the creature. In Shelley's original work, Dr.
Frankenstein discovers a previously unknown but elemental principle of life, and that insight allows him to develop a method to imbue vitality into inanimate matter, though the exact nature of the process is left largely ambiguous. After a great deal of hesitation in exercising this power, Frankenstein spends two years painstakingly constructing the creature's proportionally large body one anatomical feature at a time, from raw materials supplied by "the dissecting room and the slaughter-house" , which he then brings to life using his unspecified process.
In one author said "It is strange to note how well-nigh universally the term "Frankenstein" is misused, even by intelligent people, as describing some hideous monster". This also occurs in Frankenstein films, including Bride of Frankenstein and several subsequent films, as well as in film titles such as Abbott and Costello Meet Frankenstein.
Furthermore, future renditions and adaptations of the story include an evil laboratory assistant Igor or Ygor, who does not actually exist within the original narrative. Mary Shelley maintained that she derived the name Frankenstein from a dream-vision. Despite her public claims of originality, however, a number of other sources have been suggested as Shelley's actual inspiration. There is also a castle called Frankenstein in Bad Salzungen , Thuringia, and a municipality called Frankenstein in Saxony.
It was at this castle that a notorious alchemist, Conrad Dippel , had experimented with human bodies, and Florescu reasons that Mary suppressed mention of her visit in order to maintain her public claim of originality. Day supports Florescu's position that Mary Shelley knew of and visited Frankenstein Castle before writing her debut novel.
A possible interpretation of the name Victor is derived from Paradise Lost by John Milton , a great influence on Shelley a quotation from Paradise Lost is on the opening page of Frankenstein and Shelley even has the monster himself read it.
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